http://www.poetry-quebec.com/pq/poems/article_424.shtml
Jack Hannan: 4 poems |
Watermark
There was a form of opening outward in our thinking,which seemed very real and becamea thing that one personcould actually give to another, this lastedfor a long time, until it lost some of its livelinessand grew a little crazy, without change, into a sort of abuse, nearly gestural, though there can be no blame in it, the nightgathers into its hours the stars and your coming homein and out of the light of each post, your speedis a naming that drawsthose white lines across the sky, pulling daythrough its sieve down around you until morning, nowthe anxiety shakes itself offagain, to be remembered only obscurelyas a star, a phrase,in the odd wake-up calm, lemon-tasty, and coffee,an old friendreappears, and you allow yourself the thought thatthis is the one who can really know me, somehowthe patience you must findis right there, like the light in a pumpkin, it is givenover to you to understand the picturesthrough their touch, the singing lessons ask morequestions than they answerto you, shy horse,day after day my door has been open, and I'd say nownothing has changed, I have been nocturnal and thataltered nothing also, it onlymade the superstitions worse, heremoved his boots to collect mementosthat could be brought back, into glass, and anotherplain meaning, hyphen or adjunct
In cities without evening
Isn't it rather difficult for a manto keep quiet? I have the tape of your voiceand I play it often. I am thankful for the hindranceyou've put my way. Hear the night? Finallyworry, in autumnI took it down to match the wallno longer so warmly gracedI would like to learn another way to approach youwho are so often with me, in my thoughtsalong the roads here that we walk, I feel funny imaginingmy furrowed brow and howthat must seem to you, have you forgotten how longmy arms really are? I still likethose bright colours as I seem to recall them (the redhat and coat, for one) in the rice-paper morning, oh noI hadn't meant to speak like that, the crisptinge or tingle in the air
5 For example
Your fingers are long and thin and the colour of my heartbeatYour fingers trace lines across the sand,Your fingers draw astonishing momentsYour fingers curl slightly, your nailstapping the surface of existenceclear and hardAnd you are not patientYour fingers are my phenomenological refutationYour fingers are more than my memory has brought to the surfaceYour fingers are the directionsYour fingers are this nightYour fingers are the sounds of the wind through the trees in RomeYour fingers stretch across a month of afternoonsAnd the doors swing open and are tied with stringYour fingers are the breeze soothing the spine of a stupid talking headYour fingers are the technical healing of electrical patter, silenceYour fingers are the arrows of voyagesThat are never said out loudI am curious and I wonder about disappearing andYour fingers with one oval silver ring trace a long suggestive line across the mapfrom here to, say, anywhere along the Atlantic coastyour fingers covered with the taste of sea salt
Assume a void
Assume a void exists withoutthe hands of your own need, and alreadysomething moves toward filling it,so even in that silence you can trustplain song, what felt like nothing, becoming.The character of that silence moves out into the clearof the valley, the lights, the silenceis of listening before you go on, as it comesinto your head, a young girl's sleepy eyes closingat midnight, dreamingthe attraction of things, the mountains, the lovelytextures of the distances she will travel. Someone singsher, and she dreams my whole world, the songmustn't end before the dreaming.
These poems are from Jack Hannon's book of poems Some Frames, Cormorant Books, 2011